This is a special World Watercolor Month creation, with recorded Zoom calls on Wednesdays during July in 2025.
I retain the copyright to the content you are learning in class. That means…
However…I love to see students making strides and taking this teaching and personalizing it with your own skills.
At the bottom of each lesson you’ll see some ways to share your homework and ask questions, so that’ll be handy for you.
4-1/4″ x 6-1/2″ size, painted on an 8″ x 10″ and trimmed down to create 4 bookmarks. Daniel Smith colors: Yellow Ochre, Transparent Red Oxide, Ultramarine Turquoise, French Ultramarine, Prussian Blue, Paynes Blue Gray. Baby wipes, and you’ll want a nice big mop brush and a small detail brush. Oh and a toothbrush!
4-1/4″ x 6-1/2″ size. 3 options will be painted; leave some extra room around them to trim off, and have 3 taped off. Have a few circle templates or a compass on hand. Daniel Smith colors: Transparent Red Oxide, Yellow Ochre, French Ultramarine.
4-1/4″ x 6-1/2″ size. 2 options will be painted; leave some extra room around them to trim off, and have 2 taped off with sketches complete. Any fun colors will work, these will be fun illustrations!
4-1/4″ x 6-1/2″ size. 2 options will be painted; leave some extra room around them to trim off, and have 3 taped off. Fun gemstone colors – pinks, yellows, teals, plus any metallic colors you might like to try out. And a waterproof pen. Maybe some gold pens too!
4-1/4″ x 6-1/2″ size. 3 options will be painted for our undersea groups — schools of fish! Blues and greens of any kind can be used.
4-1/4″ x 6-1/2″ size. 3 options will be painted, with one bonus elephant design demonstrated (sketch included). French Ultramarine and Transparent Red Oxide or Burnt Sienna, Aussie Red Gold, Sap and Hookers Green.
Good paper is important! Choosing to work on student grade papers will hamper your results, create funky edges, and cause more blooms than a good high quality cold press or rough watercolor paper. It should be 100% cotton, sometimes called “rag” – if a paper doesn’t list that it’s made with cotton, avoid it.
Cold press vs rough? Again, personal choice. I get way better drybrush effects and beautiful edges on rough, but it can be challenging for small details. (Thus helping avoid getting lost in unnecessary detail!) Most people use cold press. (I don’t recommend hot press at all for this course.)
I’ll be using my main 2025 palette, but can offer alternate colors as we paint if you’ve got different colors in yours.
Natural hair brushes (I’ll be choosing from these to use during the Zoom sessions)
Synthetic brush options:
Join our active art community of thousands of artists on the Mighty Networks app or on the web. You can get quick feedback, help, and answers, as well as getting to know other artists near you and around the globe! Free to join.
Sign in for one of our Zoom calls – “office hour” as a community! Submit work for critiques, questions about techniques, get to know fellow students! See the calendar at Artventure for upcoming dates. Replays available free for 1 week.
Subscribe to get the latest posts sent to your email.