Another in the Wash and Ink series, this course is perfect for the holiday season and wintry projects! More techniques will add to your repertoire for year-round art-making. Let’s talk about the supplies you’ll want to have on hand for class.
I retain the copyright to the content you are learning in class. That means…
However…I love to see students making strides and taking this teaching and personalizing it with your own skills.
At the bottom of each lesson you’ll see some ways to share your homework and ask questions, so that’ll be handy for you.
The lists below contain options—if you have other supplies you love, feel free to substitute, just know some projects could come out differently with alternate materials.
I have created one big “Blick U” list that includes everything on the below list from their site, with some items listed as “optional” – which makes for easy shopping. There’s a one-button click to get it all, but at least this means you don’t need to individually hunt out each item!
The demonstrations are completed on Arches ROUGH paper, and sometimes the bumpy texture changes the line thickness when it comes to the pen and ink work. Use what’s comfortable for you.
You might also try buying a sheet – especially if working on a large number of cards for the holidays; it’s cheaper per square inch even if it takes a bit of trimming down to size. I start by folding the 22×30 sheet in half several times til the fold is broken, then tear it along that edge; tear sideways rather than pulling “up” to keep the edge from tearing the paper. Repeat that process til the paper is small enough to fit in a paper trimmer.
Also note that the price often comes down when buying 10 sheets at a time. And watch websites to see what free shipping threshholds might come your way.
Only two brushes were used in this course’s demonstrations. A large and small brush of whatever brand should be fine, but these are what was used:
The demos in this course use traditional watercolor – delivered in “sticks!” (see video later in this lesson for much more on sticks.) But you can use tubes, pans, any brand, and and change up colors as desired. I’m linking to the Daniel Smith colors here, but many others will work just fine.
Daniel Smith Lavender (it’s a nice dusky sky color for winter):
Daniel Smith Raw Sienna (Yellow Ochre would be a fine substitute):
Daniel Smith Burnt Sienna (Transparent Red Oxide would be a fine substitute):
Daniel Smith Moonglow (a Purple, dulled down a little with Raw Sienna, could work nicely instead):
Daniel Smith Pyrrol Red (Anthraquinoid Scarlet would be nice too):
OPTIONAL Daniel Smith Sap Green (any green you have is fine, it’s barely used):
Lavender, Burnt Sienna, Raw Sienna
Burnt Sienna, Raw Sienna, Lavender. Sap Green
Moonglow, Lavender, Burnt Sienna
Lavender, Raw Sienna, Burnt Sienna
Lavender, Moonglow, Pyrrol Scarlet
Masking fluid covers an area to keep it white, and we’ll be using that. You’ll need a few inexpensive items. The fluid comes in different colors, and I prefer ones WITH color so I can see what I’ve applied; Pebeo will be used, and is least expensive.
To remove the fluid, a “pickup” is helpful; you can rub it off with fingers but that deposits too much oil on the paper for my liking – plus your finger can leave dirt behind too.
You’ll apply the fluid with any small brush – I used the Round 3 listed above, protecting the bristles by dipping it in a little dishwashing liquid so it rinses out right away nicely.
Here’s another place you have lots of flexibility! In the demos, an extra-fine fountain pen is used; there’s also a very fine Pilot listed below if you’d like to try that out. Inks here are waterproof in case you need to add a dash of watercolor on top; but you can use non-waterproof inks/pens on top of the watercolor if not painting on top.
Below is a comparison chart of some pen options – for this course the FINE nib for the TWSBI Eco is the one used for 80% of the line work; the MEDIUM is used for some parts but you can get just the fine nib, or one of the other pen widths that looks close, like a Sharpie Ultrafine..
You’ll want to have a spray bottle (any kind) on hand, baby wipes, paper towels. Any hard surface can be used to anchor the paper, I use hardboard, and the tape I prefer is artist tape.) You may also want to have a hairdryer or heat gun handy to keep things moving! But you can also let your paper air dry.
As promised….all about sticks!
A bit more info – we’ll be using the watercolor first in this course.
Artventure is an active art community of thousands of artists that I run on Mighty Networks via an app or the web. You’ll be right in my pocket for quick feedback and answers to questions and bonus zoom calls! Free to join.
Post wherever you like to share, and tag @sandyallnock – I love to see your work! Posting lets your friends know which class you’re taking. They might enjoy learning as well!
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